The 22nd Biennale of Sydney under the title ‘Nirin’, is artist- and First Nations-led, presenting an expansive exhibition of contemporary art that connects local communities and global networks.
Under the artistic direction of Brook Andrew, the exhibition will include artworks across six sites: Art Gallery of NSW, Artspace, Campbelltown Arts Centre, Cockatoo Island, Museum of Contemporary Art Australia and the National Art School.
We’re proud to be supporting two artists at Nirin:
- Luke Willis Thompson, New Zealand/Fiji/United Kingdom
Luke Willis Thompson works across film, performance, installation and sculpture to tackle traumatic histories of class, racial and social inequality, institutional violence, colonialism and forced migration. Following research into racialised stop-and-search policies and killings, Thompson’s silent black and white 16mm and 35mm films are performances by people fundamentally impacted by police and state brutality.
- Hannah Catherine Jones, United Kingdom
Hannah Catherine Jones (aka Foxy Moron) is a London-based artist, musician, multi-instrumentalist, researcher, radio presenter (BBC Radio 3 - Late Junction, NTS - The Opera Show), composer, conductor and founder of Peckham Chamber Orchestra – a community project established in 2013. Jones’ broad practice is connected by a central spine of inclusivity and “decolonisation”.
14 March – 8 June 2020
98 Artists, 6 locations
The urgent states of our contemporary lives are laden with unresolved past anxieties and hidden layers of the supernatural. NIRIN is about to expose this, demonstrating that artists and creatives have the power to resolve, heal, dismember and imagine futures of transformation for re-setting the world. Sovereignty is at the centre of these actions, and shines a light on environments in shadow. I hope that NIRIN gathers life forces of integrity to push through often impenetrable confusion.
Optimism from chaos drives artists in NIRIN to resolve the often hidden or ignored urgency surrounding contemporary life.